I am a Transmedia Contemporary Artist exploring digital technology in its manifestations of audiovisual content creation, archival and documentation possibilities, and most importantly the hybridization of reality and sensory world building. My practice is formulated across diverse media involving drawing and painting, digital painting, photography, bookmaking, video, data mining, documentation and archival work. My background in 3D Animation, VFX and postproduction has facilitated an ability to support my Art practice forming a parallel body of work. I regularly collaborate with robotic engineers, computer programmers, musicians, writers, theater and filmmakers and I aim to found processes that would leave deep impacts on contemporary culture, technology and knowledge.
My practice is concerned with collective memetic history, narratives of memory and identity formations in relations to the ‘Other’, making visible silenced histories of violence and trauma by encoding new archetypes, hybrid mythologies, and culture jamming. My work, by shifting from practice of image-making, to that of knowledge production, confronts through inquiry the political-religious-socio-economic quadrangle as a constant existence of our lives and investigates the themes of the Hero and his/her position in contemporary society, the nature of violence, and identity; and attempt to reconcile and/or disrupt histories with necessary counter-perspectives.
Violence and its perception are an unstable and contestable phenomenon shaped by social and material factors – a fundamental condition ‘lodged in the core of human experience.’ It is simultaneously private, public, self-intimating and collective. Although trauma manifests as a physical, emotional and psychological bodily sensation, its measurability, locus and description remain ambivalent. As an intangible concept, trauma is thus difficult to define, as it ‘has no referential content,’ and resists objectification in language. Since the experience and interpretation of pain is highly subjective, its representation translates invariably between individuals, societies and cultures. Its depiction or its narration then, has the potential to serve many symbolic and metonymic functions, as a document, a record, a vision, a fact, a possibility, which can be judged, critiqued and understood within the context of its presentation. Though my work, I attempt to understand how the narrative experience of Violence, Trauma and Pain are embodied, embedded and extended in the contexts of these meanings and find ways to confront the potency of a (post) conflict space down to its basic vocabulary out of the need to ensure narratives are not erased or rendered invisible.
I am currently pursuing a Master’s in Visual Contemporary Culture in Art at Aalto University’s Art, Design and Architecture Department, Helsinki, Finland.
I live and work in Helsinki and Mumbai.
Born August 1983.
BFA (Painting) Sir J.J. School of Art, Mumbai, 2005
MFA (ViCCA) Aalto University of Art, Design and Architecture, currently studying